{"id":1765,"date":"2022-08-30T13:12:58","date_gmt":"2022-08-30T12:12:58","guid":{"rendered":"https:\/\/josephminster.com\/site\/?page_id=1765"},"modified":"2026-10-28T13:17:03","modified_gmt":"2026-10-28T12:17:03","slug":"publications","status":"publish","type":"page","link":"https:\/\/josephminster.com\/site\/publications\/","title":{"rendered":"Recherche"},"content":{"rendered":"

2026<\/span>\u00a0 \u00a0 <\/strong>\u00ab Cin\u00e9astes-chercheurs \u00e0 l’Universit\u00e9 : combien d’articles vaut un film ? \u00bb<\/strong> <\/span><\/a><\/p>\n

Contribution au d\u00e9bat sur la recherche-cr\u00e9ation propos\u00e9e en collaboration avec Cl\u00e9ment Schneider et David Yon, in AOC<\/em><\/a>, rubrique \u00ab Opinion \u00bb, le 14 octobre 2026.\u00a0<\/span><\/p>\n

 <\/p>\n

2022 \u00a0\u00a0 <\/span><\/strong>\u00ab Quand cin\u00e9ma et Internet se rencontrent \u00bb<\/strong><\/a> <\/span><\/p>\n

Compte rendu d’une table ronde avec Pauline Bejarano Dewulf, Fr\u00e9d\u00e9ric Fichefet, Alice Godart, Joseph Minster, Paul Sztulman, Emmanuel Van der Auwera<\/span><\/span>, in Captures d\u2019\u00e9cran. Quand le cin\u00e9ma affronte les flux num\u00e9riques<\/em><\/a>, sous la direction de Nicolas Bras et Fr\u00e9d\u00e9ric-Pierre Saget, Crisn\u00e9e, Yellow Now, collection \u00ab C\u00f4t\u00e9 cin\u00e9ma \u00bb, 2022, p. 110-127.<\/span><\/p>\n

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2022 \u00a0\u00a0 <\/span><\/strong>\u00ab M\u00e9lancolie du toucher. R\u00e9flexions crois\u00e9es autour d\u2019un film de confinement \u00bb<\/strong><\/a><\/p>\n

Article de recherche \u00e9crit en collaboration avec Cl\u00e9ment Schneider, in Images secondes<\/em>, n\u00b003, Post-cin\u00e9ma, Pratiques de recherche et de cr\u00e9ation<\/em><\/a>, sous la direction de Chlo\u00e9 Galibert-La\u00een\u00e9 et Gala Hern\u00e1ndez L\u00f3pez, 2022.<\/span><\/p>\n

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2021 \u00a0\u00a0 <\/span>\u00ab\u00a0Dans l\u2019ombre, les h\u00e9ros. \u00c0 propos d\u2019Ubac<\/em>\u00a0\u00bb<\/a><\/strong>
\n2021\u00a0\u00a0\u00a0<\/span> <\/strong>\u00ab H\u00e9ros \u00e9quivoques. Ce que nous apprend la trilogie de Lucas Belvaux \u00bb<\/strong><\/a><\/p>\n

Contributions \u00e0 la publication collective du Groupe de recherche de la F\u00e9mis, H\u00e9ro\u00b7ine\u00b7s. Repenser les h\u00e9ros dans les \u0153uvres et pratiques artistiques<\/em><\/a>, sous la direction de Barbara Turquier, 2021.<\/span><\/p>\n

 <\/p>\n

2020 \u00a0\u00a0 <\/span><\/strong>\u00ab Harvard-PSL workshop \u00bb<\/strong><\/a><\/p>\n

Synth\u00e8se de quelques enseignements tir\u00e9s du troisi\u00e8me workshop Harvard\/PSL (f\u00e9vrier 2020) sur le blog du d\u00e9partement Critical Media Practice<\/a> de l’universit\u00e9 d’Harvard.<\/span><\/p>\n

 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

2026\u00a0 \u00a0 \u00ab Cin\u00e9astes-chercheurs \u00e0 l’Universit\u00e9 : combien d’articles vaut un film ? \u00bb Contribution au d\u00e9bat sur la recherche-cr\u00e9ation propos\u00e9e en collaboration avec Cl\u00e9ment Schneider et David Yon, in AOC, rubrique \u00ab Opinion \u00bb, le 14 octobre 2026.\u00a0   2022 \u00a0\u00a0 \u00ab Quand cin\u00e9ma et Internet se rencontrent \u00bb Compte rendu d’une table ronde avec Pauline Bejarano Dewulf, Fr\u00e9d\u00e9ric Fichefet, Alice Godart, […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-parts\/page-full-width.php","meta":{"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"footnotes":""},"tags":[],"class_list":["post-1765","page","type-page","status-publish","hentry"],"yoast_head":"\nRecherche - Joseph Minster<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/josephminster.com\/site\/publications\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recherche - 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